BRUCE CONNER & JAY DEFEO
(“we are not what we seem”)
Paula Cooper Gallery
Artworks by Jay DeFeo in the exhibition
Untitled, 1974
Untitled, 1974
Untitled (for B.C.), 1973-74
Untitled (for B.C.), 1973-74
Untitled (for B.C.), 1973
Untitled (for B.C.), 1973
Untitled (for B.C.), 1973
Untitled (for B.C.), 1973
Untitled, 1973
Untitled, 1973
van der Weyden, 1980
van der Weyden, 1980
Untitled, c. 1982
Untitled, c. 1982
Untitled, 1980
Untitled, 1980
The Eyes, 1958
The Eyes, 1958
Untitled (Water Goggles series), 1977
Untitled (Water Goggles series), 1977
Reverse (Water Goggles series), 1977
Reverse (Water Goggles series), 1977
Untitled (Water Goggles series), 1977
Untitled (Water Goggles series), 1977
Untitled (Reflections of Africa series), 1989
Untitled (Reflections of Africa series), 1989
Untitled (Reflections of Africa series), 1989
Untitled (Reflections of Africa series), 1989
Wings No. 1 (Angel series), 1976
Wings No. 1 (Angel series), 1976
Untitled, 1976
Untitled, 1976
Untitled, c. 1976
Untitled, c. 1976
Untitled, c. 1975-76
Untitled, c. 1975-76
Untitled, c. 1975-76
Untitled, c. 1975-76
Untitled, 1976
Untitled, 1976
Untitled, c. 1975-76
Untitled, c. 1975-76
Untitled, c. 1975-76
Untitled, c. 1975-76
Untitled, c. 1975-76
Untitled, c. 1975-76
Untitled, c. 1975-76
Untitled, c. 1975-76
Untitled, c. 1975-76
Untitled, c. 1975-76
Untitled, c. 1976
Untitled, c. 1976
Untitled, 1979
Untitled, 1979
Untitled, 1979
Untitled, 1979
Untitled, 1979
Untitled, 1979
Untitled, 1973
Untitled, 1973
Untitled, 1970
Untitled, 1970
Untitled, 1972
Untitled, 1972
Untitled, 1972
Untitled, 1972
Untitled, 1972
Untitled, 1972
Untitled, 1973
Untitled, 1973
Untitled, 1973
Untitled, 1973
Untitled, 1973
Untitled, 1973
Untitled, 1973
Untitled, 1973
Untitled, 1971
Untitled, 1971
Untitled, 1973
Untitled, 1973
Untitled, 1973
Untitled, 1973
Untitled, 1973
Untitled, 1973
Installation images
Publications
“BRUCE CONNER & JAY DEFEO
(‘we are not what we seem’)”
Published by PJC on the occasion of the exhibition, “BRUCE CONNER & JAY DEFEO: (‘we are not what we seem’),” at Paula Cooper Gallery. This illustrated catalogue of the same title features an essay by Rachel Federman.
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