October 16, 2020
Jay DeFeo in SF Chronicle
Trap, 1972 Installation view of Transcending Definition: Jay DeFeo in the 1970s, 2020 SF Chronicle, Datebook,…
October 16, 2020
Jay DeFeo in Musée Magazine
Installation view of Transcending Definition: Jay DeFeo in the 1970s, 2020 Installation view of Transcending…
October 7, 2020
Orbits of Known & Unknown Objects: SFAI Histories/MATRIX 277
Untitled, c. 1965 The UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) and the…
October 5, 2020
The Verónica on SFMOMA’s Open Space
The Verónica, 1957 We have been thinking about DeFeo's The Verónica. Those who may have…
October 1, 2020
8-bridges Launched
Untitled, 1971 Untitled (Tripod series) 1976 8-bridges, a new online initiative created to highlight artists…
September 8, 2020
Transcending Definition: Jay DeFeo in the 1970s at Gagosian SF
Pend O'Reille No. 1 (Eternal Triangle series), 1980 Installation view of Transcending Definition: Jay DeFeo…
August 17, 2020
In Dialogue: Through Jay DeFeo’s Lens
Self-Portrait with Camera, Larkspur Studio, CA , 1972, contact print detail. Leah Levy, Executive Director…
March 17, 2020
Interview About Jay DeFeo in Gagosian Quarterly
Geisha II, 1984/87 Suzanne Hudson speaks with Leah Levy, executive director of The Jay DeFeo…
![Two years before opening Ferus gallery, the young curator Walter Hopps arranged a group show to showcase and promote West coast abstract painting. This survey exhibition, accompanied by recorded jazz music, was installed around the indoor carousel at Santa Monica pier, and included artwork by Jay DeFeo, Hassel Smith, Sonia Gechtoff and Craig Kauffman, among others.
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[Unknown photographer, View of the exhibition "Action 1" (known as the “Merry-Go-Round Show”), Santa Monica, California, May 18–27, 1955, with Jay DeFeo’s Untitled (Tree series), c. 1954, in the foreground, 1955. May not be reproduced in any form without permission of The Jay DeFeo Foundation. © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York]
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